"Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo" by Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra was released on August 26, 2013. Since Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Bartók: Violin Concertos No. 1 & 2 by Béla Bartók, Isabelle Faust, Swedish Radio Symphony Orchestra, Daniel Harding. Based on our statistics, Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo by Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.6 In F Minor, Op.80, MWV R 37: 3. Adagio | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 0 | 4B | 79 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Pictures at an Exhibition: Gnomus. Sempre vivo | Modest Mussorgsky, Ivo Pogorelich | D Minor | 0 | 7A | 63 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Violin Concerto, Op. 36: III. Finale. Allegro | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 2 | 3B | 124 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Sonata for Piano & Violin No. 1: II. Andante con moto. Tema con variazioni | Ludwig van Beethoven, Isabelle Faust, Alexander Melnikov | A Major | 1 | 11B | 101 BPM | ||
Rhapsody No. 1, BB 94a: Prima Parte 'Lassu': Moderato | Béla Bartók, György Pauk, Jenő Jandó | D Minor | 0 | 7A | 101 BPM | ||
Concerto for Piano and Orchestra, Op. 42: I. Andante | Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre Boulez | C Major | 2 | 8B | 180 BPM |
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