On January 1, 1988, the song "Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace" was released by George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields. With Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 4 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace by George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VIII. Bourrée | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 3 | 12B | 153 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): V. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D♭ Minor | 2 | 12A | 101 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): III. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 106 BPM | ||
La clemenza di Tito, K.621: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 126 BPM | ||
Bassoon Concerto in F Major, RV 488: I. Allegro non molto | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | C Major | 2 | 8B | 117 BPM |
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