"Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio" by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis was released on March 29, 1993. The duration of Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 18 in Albinoni: Oboe Concertos, Vol. 1 by Tomaso Albinoni, Anthony Camden, John Georgiadis. Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Suite in G minor: VIII. Passacaille (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | B♭ Major | 1 | 6B | 82 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Cello Concerto in D Major, G. 478: III. Rondo | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Major | 1 | 3B | 167 BPM | ||
Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro | Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham | D♭ Major | 2 | 3B | 112 BPM |
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