On October 1, 1997, the song "Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro" was released by Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 24 in Albinoni: Double Oboe & String Concertos, Vol. 2 by Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro by Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio | Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini | B Minor | 1 | 10A | 114 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Albinoni: Concerto a cinque in C Major, Op. 10 No. 3: II. Adagio | Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti | A Minor | 2 | 8A | 86 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM |
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