"Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio" by Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini was released on September 1, 2014. The duration of Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 51 in Albinoni: Complete Oboe & 2 Oboes Concerts by Tomaso Albinoni, Various Artists, Riccardo Parravicini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio by Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Paolo Grazzi, Giovanni Antonini | A Major | 0 | 11B | 74 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM |
Section: 0.6213819980621338
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