"Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio" by Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra was released on 1981. Since Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Yo-Yo Ma's "Haydn: Cello Concertos (Remastered)" album is number 2 out of 6. On top of that, United States appears to be the country where this track was created. Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio by Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Giuseppe Tornatore Suite: Main Theme from "A Pure Formality" - Remembering (Ricordare) | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | D♭ Minor | 2 | 12A | 87 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto. Allegro molto - Trio | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 142 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
You'll Never Walk Alone - from "Carousel" | Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 162 BPM |
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