Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande's 'Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture' came out on 1988. The duration of Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture is about 3 minutes long, at 3:01. Based on our data, "Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Leonhardt's "Lully:Le Bourgeois Gentilhomme/Campra:L'Europe Gal" album is number 1 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture by Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Bourree pour les Coutisans | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 121 BPM | ||
Atys, Prologue: "La saison des frimats" (Le Temps) | Jean-Baptiste Lully, Bernard Deletré, Guy De Mey, Monique Zanetti, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 77 BPM | ||
Intermedes de Xerxes: 2e Air pour les mesmes | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 159 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Allegro Maestoso | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 1 | 11B | 147 BPM | ||
Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Triumphe de L'Amour (1681): Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 114 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM |
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