Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio - Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa Information

Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa's 'Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio' came out on January 1, 1987. Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 1 out of 14 in Faure: Pelléas et Mélisande by Gabriel Fauré, Lorraine Hunt, Jules Eskin, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio BPM

The tempo marking of Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.