Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim made "Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo" available on January 1, 1981. Since Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Itzhak Perlman, Orchestre de Paris, Daniel Barenboim's "Lalo: Symphony espagnole op. 21 / Saint-Saens: Concerto for Violin and Orchestra No. 3" album is number 6 out of 8. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo by Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Khachaturian: Violin Concerto in D Minor: I. Allegro con fermezza | Aram Khachaturian, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 92 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 2 | 6A | 131 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 4 in C Minor | Niccolò Paganini, Itzhak Perlman | A♭ Major | 2 | 4B | 95 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 22 in F | Niccolò Paganini, Itzhak Perlman | F Major | 2 | 7B | 121 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM |
Section: 0.7616400718688965
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