Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan

Song Analysis

Audio information that is featured on Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan.

Acousticness

95%

Energy

3%

Liveness

8%

Speechiness

4%

Danceability

9%

Instrumentalness

89%

Loudness

55%

Valence

8%

Harmonic Matches

Find songs that harmonically matches to Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Le Carnaval des animaux, R. 125: XIII. Le Cygne. Andantino grazioso by Camille Saint-Saëns, Jean-Guihen Queyras, Alexandre TharaudLe Carnaval des animaux, R. 125: XIII. Le Cygne. Andantino graziosoCamille Saint-Saëns, Jean-Guihen Queyras, Alexandre TharaudG Major09B80
String Quartet No. 8 in C Minor, Op. 110: 2. Allegro molto by Dmitri Shostakovich, Borodin QuartetString Quartet No. 8 in C Minor, Op. 110: 2. Allegro moltoDmitri Shostakovich, Borodin QuartetG Major59B126
Chanson de nuit, Op.15 No.1 by Edward Elgar, Hallé, Sir Mark ElderChanson de nuit, Op.15 No.1Edward Elgar, Hallé, Sir Mark ElderG Major09B80
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: AllegroMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsG Major29B115
Handel in the Strand by Percy Grainger, BBC Philharmonic, Richard HickoxHandel in the StrandPercy Grainger, BBC Philharmonic, Richard HickoxG Major19B112
Syncopation by Fritz Kreisler, Joshua Bell, Paul CokerSyncopationFritz Kreisler, Joshua Bell, Paul CokerG Major19B83
Wallfisch: Lamorma by Yuja Wang, Benjamin WallfischWallfisch: LamormaYuja Wang, Benjamin WallfischG Major19B100
Serenade für Streicher, Op. 6: III. Adagio by Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker HartungSerenade für Streicher, Op. 6: III. AdagioJosef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker HartungG Major09B77
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) by Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert TrevinoViolin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico)Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert TrevinoG Major39B68
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto by Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio PappanoViolin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenutoBéla Bartók, Janine Jansen, London Symphony Orchestra, Antonio PappanoG Major09B89
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach by Franz Schubert, Mischa Maisky, Daria HovoraDie schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der BachFranz Schubert, Mischa Maisky, Daria HovoraG Major09B96
Kreisler: Schön Rosmarin by Fritz Kreisler, Itzhak PerlmanKreisler: Schön RosmarinFritz Kreisler, Itzhak PerlmanG Major29B117
Carmen Fantasy by Francois Borne, Jasmine ChoiCarmen FantasyFrancois Borne, Jasmine ChoiG Major19B93
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile by György Ligeti, Miklós PerényiSonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabileGyörgy Ligeti, Miklós PerényiG Major09B69
Variations on Variations on "God Save The King" for Solo Violin, Op. 9Niccolò Paganini, Roman KimG Major29B99
Le Cygne by Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De QuébecLe CygneCamille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De QuébecG Major19B94
Schön Rosmarin by Fritz Kreisler, Ray Chen, Julien QuentinSchön RosmarinFritz Kreisler, Ray Chen, Julien QuentinG Major29B104
Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich) by Mstislav Rostropovich, Sergei Prokofiev, Lynn Harrell, Pavel GililovCinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich)Mstislav Rostropovich, Sergei Prokofiev, Lynn Harrell, Pavel GililovG Major39B80
Syncopation by Fritz Kreisler, Ray Chen, Julien QuentinSyncopationFritz Kreisler, Ray Chen, Julien QuentinG Major19B133
Schön Rosmarin by Fritz Kreisler, Anne-Sophie Mutter, Lambert OrkisSchön RosmarinFritz Kreisler, Anne-Sophie Mutter, Lambert OrkisG Major19B102

Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan Information

This song is track #3 in Shostakovich: Piano Quintet, Piano Trio 1, Five Pieces for 2 Violins by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan, which has a total of 13 tracks. The duration of this track is 2:44 and was released on October 10, 2007. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Five Pieces For Two Violins and Piano: I. Prelude might be one of them, due to it's low energy and danceability.

Five Pieces For Two Violins and Piano: I. Prelude BPM

Five Pieces For Two Violins and Piano: I. Prelude has a BPM of 85. Since this track has a tempo of 85, the tempo markings of this song would be Andante (at a walking pace). Based on the tempo, this track could possibly be a great song to play while you are doing yoga or pilates. Overall, we believe that this song has a slow tempo.

Five Pieces For Two Violins and Piano: I. Prelude Key

The key of Five Pieces For Two Violins and Piano: I. Prelude is G Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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