"Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano)" by Gabriel Fauré, Janine Jansen, Itamar Golan was released on April 13, 2020. The duration of Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano) is about 3 minutes long, at 3:26. Based on our data, "Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Work From Home With French Classics by Gabriel Fauré, Maurice Ravel, Camille Saint-Saëns. The song's track number on the album is #70 out of 100 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano) by Gabriel Fauré, Janine Jansen, Itamar Golan has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano) being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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5 Morceaux de fantaisie, Op. 3: No. 1 Elégie in E-Flat Minor | Sergei Rachmaninoff, Yuja Wang | E Minor | 0 | 9A | 139 BPM | ||
Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | ||
El cant dels ocells (Arr. Dueñas for Violin and Piano) | Traditional, María Dueñas, Itamar Golan | A Minor | 1 | 8A | 81 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Frédéric Lodéon, François-René Duchâble | E♭ Major | 2 | 5B | 76 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
The Lark Ascending | Ralph Vaughan Williams, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | E Minor | 1 | 9A | 75 BPM |
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