"El cant dels ocells (Arr. Dueñas for Violin and Piano)" by Traditional, María Dueñas, Itamar Golan was released on October 27, 2023. The duration of El cant dels ocells (Arr. Dueñas for Violin and Piano) is about 3 minutes long, at 3:01. Based on our data, "El cant dels ocells (Arr. Dueñas for Violin and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Traditional: El cant dels ocells (Arr. Dueñas for Violin and Piano) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. El cant dels ocells (Arr. Dueñas for Violin and Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El cant dels ocells (Arr. Dueñas for Violin and Piano) by Traditional, María Dueñas, Itamar Golan having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Fantasies, Op. 116: No. 4, Intermezzo in E Major | Johannes Brahms, Simon Bächinger | G Minor | 3 | 6A | 115 BPM | ||
Cello Concerto in A Minor, RV 419: III. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Piano Sonata No. 3 in F-Sharp Minor, Op. 23: III. Andante | Alexander Scriabin, Yuja Wang | B Minor | 7 | 10A | 80 BPM | ||
Concerto in D Major, Op. 35a: II. Quasi andante | Ferruccio Busoni, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevka | C Major | 0 | 8B | 107 BPM | ||
Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | ||
Préludes, Livre 1: No. 8, La fille aux cheveux de lin (Arr. for Flute and Piano by Yoshifumi Noro) | Claude Debussy, Mathilde Calderini, Aurèle Marthan | G Major | 1 | 9B | 140 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | ||
12 Romances, Op.21 No.7: How fair this spot | Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion | F♯ Minor | 0 | 11A | 89 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM |
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