"Violin Concerto No. 2 in D Minor, Op. 22: II. Romance" by Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim was released on January 1, 1983. With this song being about 5 minutes long, at 5:06, "Violin Concerto No. 2 in D Minor, Op. 22: II. Romance" by Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Saint-Saëns: Violin Concerto No.3 / Wieniawski: Violin Concerto No.2". In this album, this song's track order is #5. In terms of popularity, Violin Concerto No. 2 in D Minor, Op. 22: II. Romance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2 in D Minor, Op. 22: II. Romance by Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Theme (From "Cinema Paradiso") | Ennio Morricone, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | B♭ Major | 2 | 6B | 32 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | E♭ Major | 2 | 5B | 95 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | A Minor | 1 | 8A | 73 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino. Andante assai | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | G Major | 1 | 9B | 106 BPM | ||
Five Pieces For Two Violins and Piano: V. Polka | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D Major | 1 | 10B | 167 BPM |
Section: 0.9573335647583008
End: 0.9609944820404053