Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra made "Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai" available on January 1, 1996. Since Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Prokofiev: Violin Concerto No.1 & 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai by Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
The Banks of Green Willow | George Butterworth, Richard Hickox, London Symphony Orchestra | E Minor | 0 | 9A | 84 BPM | ||
Violin Concerto in D Major: III. Aria II | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 1 | 9B | 84 BPM | ||
Violin Concerto, Op. 36: 2. Andante grazioso | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Minor | 1 | 7A | 103 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Concerto No. 2, Op. 18 in C Minor: Allegro scherzando | Sergei Rachmaninoff, Evgeny Kissin, Valery Gergiev | G Major | 2 | 9B | 105 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: III. Adagio | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 89 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM |
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