"Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance" by Richard Strauss, Fritz Reiner was released on January 23, 2007. With Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Strauss: Don Quixote, Don Juan". In this album, this song's track order is #2. Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance by Richard Strauss, Fritz Reiner having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Minor | 0 | 4A | 88 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Minor | 3 | 9A | 119 BPM | ||
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Rakastava, Op. 14: The Lover | Jean Sibelius, Sir Colin Davis | F Major | 1 | 7B | 69 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 147 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM |
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