"The Planets, Op. 32: 2. Venus, the Bringer of Peace" by Gustav Holst, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 1997. Since The Planets, Op. 32: 2. Venus, the Bringer of Peace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Los Angeles Philharmonic, Zubin Mehta, Gustav Holst, John Williams, Richard Strauss's "Holst: The Planets / John Williams: Star Wars Suite / Strauss, R.: Also sprach Zarathustra" album is number 2 out of 23. The Planets, Op. 32: 2. Venus, the Bringer of Peace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: 2. Venus, the Bringer of Peace by Gustav Holst, Los Angeles Philharmonic, Zubin Mehta to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"West Side Story" - Symphonic Dances: IX. Finale - Live | Leonard Bernstein, Los Angeles Philharmonic | C Major | 0 | 8B | 170 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Piano Concerto, Op. 67 "Memo Flora": III. Bloom. Allegro | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Kyoko Tabe | E♭ Major | 2 | 5B | 85 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | D Major | 4 | 10B | 127 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
"West Side Story" - Symphonic Dances: VIII. Rumble - Live | Leonard Bernstein, Los Angeles Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Major | 3 | 4B | 77 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
Section: 0.8181319236755371
End: 0.8223021030426025