Samson et Dalila, Op. 47, R. 288: Bacchanale - Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra Information

Acousticness: 87%
Danceability: 26%
Energy: 8%
Instrumentalness: 70%
Liveness: 11%
Loudness: 56%
Speechiness: 4%
Valence: 8%
Popularity: 28%
Loudness: -26.58 dB

Summary

"Samson et Dalila, Op. 47, R. 288: Bacchanale" by Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra was released on 1993. Since Samson et Dalila, Op. 47, R. 288: Bacchanale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Saint-Saëns: Symphony No. 3 "Organ Symphony", Phaéton, Danse macabre & Samson et Delila: Bacchanale". In this album, this song's track order is #7. Based on our statistics, Samson et Dalila, Op. 47, R. 288: Bacchanale's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Samson et Dalila, Op. 47, R. 288: Bacchanale BPM

With Samson et Dalila, Op. 47, R. 288: Bacchanale by Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Samson et Dalila, Op. 47, R. 288: Bacchanale Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ruslan and Ludmila: Overture	Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov	F Major	3	7B	81 BPM
William Tell: Overture	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	1	12B	88 BPM
Sibelius: Violin Concerto in D Minor, Op. 47: I. Allegro moderato	Jean Sibelius, Itzhak Perlman, André Previn	B♭ Major	2	6B	98 BPM
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb	Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan	E Minor	0	9A	79 BPM
Italian Polka	Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg	E♭ Major	1	5B	103 BPM
Masquerade Suite: I. Waltz	Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra	C Major	3	8B	181 BPM
The Firebird Suite *: Introduction	Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari	F♯ Minor	0	11A	74 BPM
J. Strauss II: Voices of Spring, Op. 410	Johann Strauss II, Hallé, Bryden Thomson	B♭ Major	0	6B	103 BPM
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro	Karoly Botvay	F Major	0	7B	107 BPM
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato)	Academy of St. Martin in the Fields	E Minor	2	9A	132 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6596391201019287

End: 0.6648209095001221