Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra's 'Masquerade Suite: I. Waltz' came out on December 1, 1998. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kirill Kondrashin's "Masquerade Suite; The Comedians; Capriccio italien; Capriccio espagnol" album is number 1 out of 21. On top of that, United States appears to be the country where this track was created. The popularity of Masquerade Suite: I. Waltz is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Masquerade Suite: I. Waltz by Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
Havanaise, Op. 83: Allegro mo non troppo | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
Fantasia and Fugue in A Minor, BWV 944 | Johann Sebastian Bach, Sviatoslav Richter, Kirill Kondrashin, Moscow Youth Orchestra | F Major | 1 | 7B | 95 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando | Sergei Prokofiev, Sviatoslav Richter, Kirill Kondrashin, Moscow Youth Orchestra | D♭ Minor | 1 | 12A | 65 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | ||
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM |
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