"The Banks of Green Willow" by George Butterworth, Richard Hickox, London Symphony Orchestra was released on April 1, 2001. The Banks of Green Willow is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. This song is part of Vaughan Williams: A London Symphony by Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra. The song's track number on the album is #1 out of 5 tracks. The Banks of Green Willow is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Banks of Green Willow by George Butterworth, Richard Hickox, London Symphony Orchestra has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Banks of Green Willow being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Fantasia on a Theme by Thomas Tallis (opening) | Sir Adrian Boult, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 68 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
Romeo & Juliet: Scene I, Introduction | Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Simon Trpčeski, Cristian Măcelaru, Janáček Philharmonic Ostrava | C Minor | 0 | 5A | 75 BPM | ||
A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
Symphony No.1 in E Major, Op. 26: III. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | C Major | 1 | 8B | 89 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, London Symphony Orchestra, Maria João Pires, John Eliot Gardiner | A Major | 0 | 11B | 77 BPM | ||
Oboe Concerto in C Major, K. 314: I. Allegro aperto | Wolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony Orchestra | C Major | 1 | 8B | 120 BPM |
Section: 0.7638809680938721
End: 0.7672250270843506