- BPM
- 86
- Key
- A Major
- Camelot
- 11B
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" - Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver Information
- Acousticness
- 97%
- Danceability
- 40%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 14%
- Loudness
- -20.983 dB
Summary
"A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes"" by Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver was released on January 1, 1994. With this song being about 5 minutes long, at 4:44, "A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes"" by Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 5 out of 15. A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" BPM
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" by Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | |
 | Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM | |
 | Pulcinella: 1. Ouverture: Allegro moderato | Igor Stravinsky, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | |
 | Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | |
 | The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | |
 | Let the Bright Seraphim from Samson, HWV 57 - Voice | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 1 | 10B | 103 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | |
 | Intermezzo, Op. 72, TrV 246a, 4 Symphonic Interludes: Intermezzo, Op. 72, TrV 246a: Träumerei am Kamin (Dreaming by the Fireside) | Richard Strauss, Orchestre Philharmonique De Strasbourg, Marc Albrecht | A♭ Major | 0 | 4B | 140 BPM | |
 | Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 4.103160858154297
End: 4.1065850257873535