Let the Bright Seraphim from Samson, HWV 57 - Voice - George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's Information

Acousticness: 96%
Danceability: 52%
Energy: 9%
Instrumentalness: 17%
Liveness: 32%
Loudness: 65%
Speechiness: 6%
Valence: 30%
Popularity: 20%
Loudness: -21.083 dB

Summary

George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's's 'Let the Bright Seraphim from Samson, HWV 57 - Voice' came out on 1983. Let the Bright Seraphim from Samson, HWV 57 - Voice is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 39 in the song's album "The Essential Wynton Marsalis". In this album, this song's track order is #22. In terms of popularity, Let the Bright Seraphim from Samson, HWV 57 - Voice is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Let the Bright Seraphim from Samson, HWV 57 - Voice BPM

With Let the Bright Seraphim from Samson, HWV 57 - Voice by George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Let the Bright Seraphim from Samson, HWV 57 - Voice Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem, Op. 48: V. Agnus Dei	Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra	F Major	0	7B	64 BPM
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde)	Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier	G Minor	2	6A	91 BPM
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"	Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard	C Minor	0	5A	101 BPM
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto	Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra	D Minor	3	7A	82 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
Moto Perpetuo, Op. 11	Niccolò Paganini, Wynton Marsalis	F Major	2	7B	173 BPM
La Flute invisible	Camille Saint-Saëns, Kathleen Battle, Jean-Pierre Rampal	F Major	0	7B	136 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Menuet in G Minor (trans. W. Kempff)	Wilhelm Kempff, George Frideric Handel, Idil Biret	G Minor	0	6A	73 BPM
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice	Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's	D Major	2	10B	94 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.2446308135986328

End: 1.248528003692627