Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" - Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard Information

Acousticness: 97%
Danceability: 28%
Energy: 5%
Instrumentalness: 0%
Liveness: 14%
Loudness: 63%
Speechiness: 5%
Valence: 4%
Popularity: 17%
Loudness: -22.266 dB

Summary

"Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"" by Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard was released on January 1, 1986. Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #3. In terms of popularity, Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" BPM

With Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" by Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Le colibri Op.2 N°7	Ernest Chausson, Susan Manoff, Sandrine Piau	D♭ Major	0	3B	130 BPM
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied)	Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate	B♭ Major	1	6B	88 BPM
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni	Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester	B Minor	0	10A	70 BPM
Rinaldo, HWV 7a: Ouverture	Christophe Rousset, Les Talens Lyriques	D♭ Minor	1	12A	126 BPM
Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse)	Philippe Jaroussky	E Major	1	12B	75 BPM
Les nuits d'été, Op.7: 2. Le spectre de la rose	Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	D Major	0	10B	88 BPM
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa	Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir	B Minor	1	10A	135 BPM
Eia Mater	Andreas Scholl	B♭ Major	1	6B	98 BPM
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance	William Christie	B♭ Minor	2	3A	114 BPM
Stabat Mater: 1. Stabat Mater dolorosa	Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio	G Minor	0	6A	83 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6392700672149658

End: 0.6428122520446777