"Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse)" by Philippe Jaroussky was released on October 29, 2012. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #1. Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse) by Philippe Jaroussky having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 71 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | ||
Bach, JC: Ebben si vada .... lo ti lascio, T. 250/2: "lo ti lascio" | Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie | A Major | 1 | 11B | 126 BPM | ||
Conti: "Quando veggo un'usignolo" | Francesco Bartolomeo Conti, Philippe Jaroussky, William Christie | A Major | 1 | 11B | 113 BPM | ||
Dido and Aeneas: Dido's Lament | Jessye Norman | C Minor | 2 | 5A | 89 BPM | ||
Pallavicino: L'Antiope: "Vieni, corri, volami in braccio" (Antiope) | Carlo Pallavicino, Lea Desandre, Jupiter, Thomas Dunford | A♭ Major | 2 | 4B | 92 BPM | ||
In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Pergolesi: Stabat Mater: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 103 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 68. Chorus I & II "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Dietrich Henschel | B Minor | 1 | 10A | 83 BPM |
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