"Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied)" by Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1998. Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Renée Fleming - The Beautiful Voice". In this album, this song's track order is #7. Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) by Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas - Edited Margaret Laurie & Thurston Dart - Act 3: When I am laid in earth | Henry Purcell, Dame Janet Baker, English Chamber Orchestra, Anthony Lewis | G Minor | 1 | 6A | 82 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Ein Deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Ziemlich langsam) | Johannes Brahms, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 67 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Chants D'Auvergne: Vol I, No. 2: Baïlèro | Joseph Canteloube, Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 80 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: 2. Andante | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | D Major | 0 | 10B | 77 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM |
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