Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni - Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester Information

Acousticness: 96%
Danceability: 36%
Energy: 4%
Instrumentalness: 0%
Liveness: 46%
Loudness: 59%
Speechiness: 8%
Valence: 25%
Popularity: 15%
Loudness: -24.826 dB

Summary

Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester's 'Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni' came out on September 28, 2001. The duration of Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 8 out of 33. Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni BPM

We consider the tempo marking of Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni by Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L'olimpiade, RV 725: Lo seguitai felice. Megacle, aria	Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini	A Major	2	11B	149 BPM
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento"	Christoph Willibald Gluck, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg	F Minor	2	4A	131 BPM
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus)	Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia	G Minor	0	6A	139 BPM
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto)	Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch	A Major	1	11B	133 BPM
Requiem: VI. Rex Tremendae	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	C Minor	1	5A	108 BPM
German Requiem, Op. 45: Ihr habt nun Traurigkeit	Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus	E♭ Major	0	5B	98 BPM
Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto)	Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari	D♭ Major	1	3B	93 BPM
Handel: Admeto, HWV 22, Act 1: Overture	René Jacobs, Alan Curtis, Il Complesso Barocco	D♭ Minor	2	12A	99 BPM
Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei	Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus	E Minor	0	9A	139 BPM
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor	F Major	1	7B	131 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6729238033294678

End: 0.6773831844329834