Christoph Willibald Gluck, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg's 'Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento"' came out on May 6, 2016. The duration of Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento" is about 3 minutes long, at 3:05. Based on our data, "Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in Arias by Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg. Based on our statistics, Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento" by Christoph Willibald Gluck, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
L 1. Akt / Act 1 | Wiener Philharmoniker | E Major | 1 | 12B | 67 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | E Major | 0 | 12B | 94 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM |
Section: 0.703538179397583
End: 0.7139148712158203