"Werther: "Pourquoi me réveiller, ô souffle du printemps?"" by Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis was released on January 1, 1988. The duration of Werther: "Pourquoi me réveiller, ô souffle du printemps?" is about 3 minutes long, at 3:04. Based on our data, "Werther: "Pourquoi me réveiller, ô souffle du printemps?"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Tutto Pavarotti". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Werther: "Pourquoi me réveiller, ô souffle du printemps?"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Werther: "Pourquoi me réveiller, ô souffle du printemps?" by Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 89 BPM | ||
Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live | George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner | A Major | 2 | 11B | 131 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Cavalleria rusticana: "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo" | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 3 | 7B | 109 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM |
Section: 0.6758012771606445
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