"Porgy and Bess / Act 1: "Summertime"" by George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel was released on January 1, 1976. Since Porgy and Bess / Act 1: "Summertime" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Willard White, McHenry Boatwright, Francois Clemmons, Leona Mitchell, Florence Quivar, Barbara Hendricks, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel's "Gershwin: Porgy & Bess" album is number 2 out of 42. On top of that, United Kingdom appears to be the country where this track was created. Porgy and Bess / Act 1: "Summertime" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy and Bess / Act 1: "Summertime" by George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fascinatin' Rhythm | Leon Bates, George Gershwin | E♭ Major | 1 | 5B | 145 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
3 Lieder, Op. 12: Liebst du um Schonheit (If You Love for Beauty's Sake), Op. 12, No. 4 | Clara Schumann, Christina Högman, Roland Pöntinen | D♭ Major | 0 | 3B | 91 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Pictures at an Exhibition: Con mortuis in lingua mortua | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 0 | 11B | 77 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM |
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