"Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka)" by Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra was released on 1988. Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Lucia Popp, Stefan Soltesz, Munich Radio Orchestra's "Lucia Popp sings Slavonic Opera Arias" album is number 2 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) by Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Jocelyn, Suite No. 2: Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 92 BPM | ||
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Sherrill Milnes, Huguette Tourangeau, Joan Sutherland, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 174 BPM | ||
Nulla in Mundo Pax Sincera - Arr. Edwards/Hirschfelder | Antonio Vivaldi, Jane Edwards, Choir, Geoffrey Lancaster, Gerald Keuneman, Orchestra, Ricky Edwards | E Minor | 1 | 9A | 136 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM |
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