"Mass, Op. 12: V. Panis Angelicus" by César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich was released on February 26, 2016. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 17 in Cantus by Christian-Pierre La Marca, Alexis Kossenko. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Mass, Op. 12: V. Panis Angelicus's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass, Op. 12: V. Panis Angelicus by César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O quam suavis (Mottetti a voce sola da diversi Eccellentissimi Autori, Libro primo, Venezia Gardano 1645) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 91 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
All-night Vigil, Op. 37, "Vespers": Blessed is the man | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Klava | D Minor | 0 | 7A | 69 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Dextera Domini, FWV 65 | César Franck, Ensemble Vocal de Lausanne, Marie Jaermann, Jonathan Spicher, Michel Corboz, Manuel Rebelo | B♭ Major | 2 | 6B | 91 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 105 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM |
Section: 0.6024796962738037
End: 0.6061403751373291