"To be sung on the water, Op. 42, No. 2" by Samuel Barber, Conspirare, Craig Hella Johnson was released on October 23, 2012. The duration of To be sung on the water, Op. 42, No. 2 is about 3 minutes long, at 3:17. Based on our data, "To be sung on the water, Op. 42, No. 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 21 in Barber: An American Romantic by Samuel Barber, Conspirare, Craig Hella Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. To be sung on the water, Op. 42, No. 2 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of To be sung on the water, Op. 42, No. 2 by Samuel Barber, Conspirare, Craig Hella Johnson is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus) | Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 84 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM |
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