"Miserere in C Minor Psalm 50, ZWV. 57" by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht was released on October 31, 2012. The duration of Miserere in C Minor Psalm 50, ZWV. 57 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Miserere in C Minor Psalm 50, ZWV. 57's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #1 out of 31 tracks. Based on our data, Belgium was the country where this track was produced or recorded. Miserere in C Minor Psalm 50, ZWV. 57 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Miserere in C Minor Psalm 50, ZWV. 57 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Miserere in C Minor Psalm 50, ZWV. 57 being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In C Major: VII. Sequentia, Tuba mirum | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht | B Minor | 3 | 10A | 82 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto a cinque No. 8, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 4 | 11A | 112 BPM | ||
Missa Divi Xaverii, ZWV 12: Domine Deus II | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Major | 0 | 4B | 100 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Missa Paschalis, ZWV 7: Credo. Amen come nel gloria | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 3 | 3B | 178 BPM | ||
Concerto a cinque No. 5, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 3 | 1B | 109 BPM |
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