Stabat Mater: 3. O quam tristis
Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson
Pergolesi: Stabat Mater
2:33 January 1, 1985
BPM
80
Key
G Minor
Camelot
6A

Embed

Share Link

Stabat Mater: 3. O quam tristis - Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson Information

Acousticness
98%
Danceability
14%
Energy
10%
Instrumentalness
0%
Liveness
14%
Loudness
60%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.721 dB

Summary

"Stabat Mater: 3. O quam tristis" by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson was released on January 1, 1985. The duration of Stabat Mater: 3. O quam tristis is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Stabat Mater: 3. O quam tristis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #3. Stabat Mater: 3. O quam tristis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: 3. O quam tristis BPM

With Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stabat Mater: 3. O quam tristis Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto by Alessandro Marcello, Venice Baroque OrchestraConcerto Per Oboe, Archi E Continuo In Re Minore: III. PrestoAlessandro Marcello, Venice Baroque OrchestraD♭ Minor212A118 BPM
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) by Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio FranceGounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus)Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio FranceB♭ Major06B68 BPM
Pergolesi: Confitebor: II. Confessor et magnificentia by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Confitebor: II. Confessor et magnificentiaGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Major12B79 BPM
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) by Hector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoSymphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo)Hector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoA Major111B84 BPM
Schweigt stille, plaudert nicht Cantata, BWV 211 Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süßeJohann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher HogwoodB♭ Minor13A66 BPM
Messa da Requiem: VII Requiem aeternam by Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo ColombaraMessa da Requiem: VII Requiem aeternamCesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo ColombaraE Major612B115 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die TotenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerF Major17B134 BPM
In Caelo Stele Clare Fulgescant: Alleluia by Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni AntoniniIn Caelo Stele Clare Fulgescant: AlleluiaNicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni AntoniniA♭ Major34B0 BPM
Pergolesi: Stabat Mater: III. O quam tristis et afflicta by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat Mater: III. O quam tristis et afflictaGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor111A111 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6584315299987793

End: 0.6627407073974609