"Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo)" by Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado was released on January 1, 2003. Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 3 out of 9 in Berlioz: Symphonie fantastique by Hector Berlioz, Chicago Symphony Orchestra, Berliner Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) by Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Symphony No. 9 In C Major, D. 944 - "The Great": IV. Allegro vivace | Franz Schubert, Orchestra Mozart, Claudio Abbado | C Major | 2 | 8B | 97 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 1 Scherzo - Allegro vivace | Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker | A Minor | 2 | 8A | 96 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM |
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