"Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"" by Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock was released on August 25, 2017. Since Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rimsky-Korsakov: Scheherazade". In this album, this song's track order is #1. Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, RueiBin Chen | B♭ Major | 3 | 6B | 100 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 1 in D Major "Titan": Id. Vorwärts drängend | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D Major | 4 | 10B | 129 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM |
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