Gustav Holst, English Sinfonia, Howard Griffiths's 'Brook Green Suite: I. Prelude' came out on April 24, 2007. With Brook Green Suite: I. Prelude being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Holst, Howard Griffiths's "Holst: Double Concerto / St Paul's Suite / Brook Green Suite" album is number 1 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Brook Green Suite: I. Prelude's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brook Green Suite: I. Prelude by Gustav Holst, English Sinfonia, Howard Griffiths to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Masques et bergamasques Suite, Op. 112: IV. Pastorale | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 66 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM |
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