"Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato)" by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein was released on January 1, 1982. The duration of Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
The Firebird Suite (1919 Version): I. Introduction | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 87 BPM | ||
Fancy Free: II. Scene at the Bar - Live | Leonard Bernstein, Ruth Mense, Dicky Tarrach, Thissy Thiers, Israel Philharmonic Orchestra | D Minor | 4 | 7A | 80 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | F Minor | 4 | 4A | 139 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 3. Allegro vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 89 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM |
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