Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) - Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein Information

Acousticness: 96%
Danceability: 12%
Energy: 2%
Instrumentalness: 88%
Liveness: 15%
Loudness: 56%
Speechiness: 4%
Valence: 4%
Popularity: 29%
Loudness: -26.101 dB

Summary

"Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)" by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein was released on January 1, 1982. The duration of Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) BPM

The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Béatrice et Bénédict, Op. 27, H 138: Ouverture	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	G Major	0	9B	101 BPM
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	2	9B	115 BPM
Symphony No. 6 in B Minor, Op. 54: II. Allegro - Live	Dmitri Shostakovich, Wiener Philharmoniker, Leonard Bernstein	C Major	1	8B	105 BPM
La boîte à joujoux, L. 128: III. La bergerie à vendre	Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas	F Minor	0	4A	72 BPM
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato	Felix Mendelssohn, Leonard Bernstein, New York Philharmonic	A Major	2	11B	131 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	149 BPM
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version)	Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra	F Minor	4	4A	109 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM

ISRC: DEF058200603
Label: L-M Records/RCA Records

Section: 0.9608144760131836

End: 0.9638769626617432