Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra's 'The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version)' came out on 1958. The duration of The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version) is about 3 minutes long, at 3:12. Based on our data, "The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #2. In terms of popularity, The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Holst: The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 81 BPM | ||
Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 86 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM |
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