Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso - Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis Information

Acousticness: 92%
Danceability: 24%
Energy: 11%
Instrumentalness: 34%
Liveness: 18%
Loudness: 72%
Speechiness: 5%
Valence: 14%
Popularity: 25%
Loudness: -16.78 dB

Summary

"Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso" by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis was released on March 3, 2003. Since Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Dvořák: Symphony No. 7 by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso BPM

The tempo marking of Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto	Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	D Major	3	10B	112 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro	Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	86 BPM
Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen	Richard Strauss, Bernard Haitink, London Symphony Orchestra	G Minor	1	6A	105 BPM
Stabat Mater: 5. Quis est homo	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	C Minor	1	5A	94 BPM
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto	Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra	E♭ Major	7	5B	160 BPM
Symphony No. 2: II. Allegro molto	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	F Major	1	7B	146 BPM
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity	Gustav Holst, London Symphony Chorus, London Symphony Orchestra, Geoffrey Simon	D Major	0	10B	112 BPM
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato	Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili	A♭ Major	1	4B	122 BPM
Nocturne	Alexander Borodin, HAUSER, Robert Ziegler, London Symphony Orchestra	A Major	3	11B	83 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 2: Scene (Allegro)	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	D Major	1	10B	124 BPM

ISRC: GBDGQ0101403
Label: L-M Records/RCA Records

Section: 0.6840851306915283

End: 0.6869874000549316