"Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen" by Richard Strauss, Bernard Haitink, London Symphony Orchestra was released on February 9, 2010. The duration of Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss: Eine Alpensinfonie (An Alpine Symphony)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen by Richard Strauss, Bernard Haitink, London Symphony Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Elektra: Viii. Die Götter | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunilla Söderström, Carina Morling, Eva Pilat, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Symphony No.1 in E Major, Op. 26: VI. Andante | Alexander Scriabin, London Symphony Orchestra, Ekaterina Sergeeva, Valery Gergiev, Alexander Timchenko, London Symphony Chorus | E Major | 0 | 12B | 71 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Violin Concerto, Op. 15: 3. Passacaglia; Andante lento | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | B♭ Minor | 1 | 3A | 112 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 82 BPM |
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