Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar's 'Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai' came out on May 17, 1995. Since Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar's "Kalinnikov: Symphonies Nos. 1 and 2" album is number 3 out of 8. In terms of popularity, Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B Major | 0 | 1B | 80 BPM | ||
The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
Chanson triste | Vasily Kalinnikov, Metamorphose String Orchestra, Pavel Lyubomudrov | G Minor | 3 | 6A | 144 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte II: Scène I. Une fontaine dans le parc | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
交響曲 第 1番 ト短調 2. Andante commodamente | Vasily Kalinnikov, 山田和樹, Czech Philharmonic Orchestra | B♭ Major | 5 | 6B | 151 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: II. Romance (Ziemlich langsam) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 107 BPM | ||
Bilder einer Ausstellung: Promenade | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM |
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