"The Firebird Suite (1919 Version): VI. Lullaby" by Igor Stravinsky, Leonard Bernstein, New York Philharmonic was released on 1958. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #19. The popularity of The Firebird Suite (1919 Version): VI. Lullaby is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird Suite (1919 Version): VI. Lullaby by Igor Stravinsky, Leonard Bernstein, New York Philharmonic having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | C Minor | 2 | 5A | 114 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Peter and the Wolf, Op. 67: Allegro moderato | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
On the Town, Act 1: Lonely Town. Pas de deux | Leonard Bernstein, Alison Balsom, Scott Stroman, Britten Sinfonia | E Major | 2 | 12B | 89 BPM | ||
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Spring Rounds (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM |
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