"Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio" by Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra was released on 1961. With Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Saint-Saëns: Organ Symphony; Bacchanale; Danse Macabre; Carnaval des Animaux". In this album, this song's track order is #1. Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio by Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody On A Theme Of Paganini, Op.43: Variation 11. Moderato | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | A Minor | 1 | 8A | 88 BPM | ||
Carnival of the Animals: XIII. The Swan (arr. for violin and piano) | Anonymous, Camille Saint-Saëns, Matthew Trusler, Alexander Taylor | G Major | 1 | 9B | 84 BPM | ||
Peter and the Wolf, Op. 67: The Hunters Arrive | David Bowie, Eugene Ormandy | D♭ Major | 1 | 3B | 143 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Symphony No. 6 in F, Op.68 'Pastoral': V. Allegretto (Shepherds' Hymn) | Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 73 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
Section: 0.7218368053436279
End: 0.7246050834655762