Sergei Prokofiev, New York Philharmonic, Leonard Bernstein made "Peter and the Wolf, Op. 67: Allegro moderato" available on April 26, 2024. With Peter and the Wolf, Op. 67: Allegro moderato being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Peter and the Wolf (Remastered 2023)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Italy. Peter and the Wolf, Op. 67: Allegro moderato is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Peter and the Wolf, Op. 67: Allegro moderato by Sergei Prokofiev, New York Philharmonic, Leonard Bernstein having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 107 BPM | ||
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Billy the Kid Suite: II. Street in a Frontier Town | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Minor | 3 | 4A | 127 BPM | ||
Symphony No. 1 in D Major "Titan": IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 87 BPM | ||
Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 102 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 133 BPM | ||
Symphony No. 5 in B Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Thomas Søndergård, Royal Scottish National Orchestra | G Major | 2 | 9B | 81 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM |
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