- BPM
- 94
- Key
- C Minor
- Camelot
- 5A
Stabat Mater: 5. Quis est homo - Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson Information
- Acousticness
- 98%
- Danceability
- 18%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 30%
- Loudness
- -24.629 dB
Summary
"Stabat Mater: 5. Quis est homo" by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson was released on January 1, 1985. The duration of Stabat Mater: 5. Quis est homo is about 3 minutes long, at 3:00. Based on our data, "Stabat Mater: 5. Quis est homo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Stabat Mater: 5. Quis est homo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat Mater: 5. Quis est homo BPM
With Stabat Mater: 5. Quis est homo by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Stabat Mater: 5. Quis est homo Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater in F Minor, P. 77: Cujus animam gementem | Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard | E Minor | 5 | 9A | 140 BPM | |
 | St. Matthew Passion, BWV 244: No. 3, Chorale, 'Herzliebster Jesu' | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | B Minor | 1 | 10A | 81 BPM | |
 | Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | |
 | Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1b Rezitativ - "Seht, wie der strenge Winter flieht!" | Joseph Haydn, Sir Colin Davis, London Symphony Orchestra, Jeremy Ovenden, Miah Persson, Andrew Foster-Williams | A♭ Major | 0 | 4B | 174 BPM | |
 | Sinfonia concertante in B-Flat Major, Op. 84, Hob. I:105: III. Allegro con spirito (Live) | Joseph Haydn, Chicago Symphony Orchestra, Frank Miller, Samuel Magad, Willard Somers Elliot, Ray Still, Claudio Abbado | B♭ Major | 3 | 6B | 124 BPM | |
 | Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 96 BPM | |
 | Ich habe genug, BWV 82: I. Aria. Ich habe genug | Johann Sebastian Bach, Matthias Goerne, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 76 BPM | |
 | La Serva Padrona · Intermezzo Secondo: XIII. 13 Aria: A Serpina penserete | Giovanni Battista Pergolesi, Amanda Forsythe, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | |
 | Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |
- ISRC
- DEF058330305
- Label
- L-M Records/RCA Records
Section: 1.0237267017364502
End: 1.02781343460083