"Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli was released on 1965. With this song being about 5 minutes long, at 4:33, "Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 9 in Elgar: Cello Concerto by Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, Dame Janet Baker, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
My Neighbour TOTORO | Joe Hisaishi, London Symphony Orchestra | C Major | 2 | 8B | 130 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
Symphony No. 2: IV. Allegro Vivace | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 1 | 11B | 94 BPM | ||
Ma mère l'Oye, M. 60: 2. Danse du rouet et scène - Interlude | Maurice Ravel, London Symphony Orchestra, Pierre Monteux | F Minor | 0 | 4A | 139 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Brossé: Cello Concerto for Isabelle: I. Flirting | Dirk Brossé, Marie Hallynck, London Symphony Orchestra | D♭ Major | 1 | 3B | 125 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM |
Section: 1.2263729572296143
End: 1.2296721935272217