Pelléas et Mélisande, Op.80: 6. Molto adagio - Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa Information

Acousticness: 97%
Danceability: 8%
Energy: 3%
Instrumentalness: 92%
Liveness: 12%
Loudness: 62%
Speechiness: 4%
Valence: 4%
Popularity: 15%
Loudness: -22.808 dB

Summary

"Pelléas et Mélisande, Op.80: 6. Molto adagio" by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1987. With this song being about 5 minutes long, at 4:37, "Pelléas et Mélisande, Op.80: 6. Molto adagio" by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 14 in Faure: Pelléas et Mélisande by Gabriel Fauré, Lorraine Hunt, Jules Eskin, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pelléas et Mélisande, Op.80: 6. Molto adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pelléas et Mélisande, Op.80: 6. Molto adagio BPM

The tempo marking of Pelléas et Mélisande, Op.80: 6. Molto adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Pelléas et Mélisande, Op.80: 6. Molto adagio Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso)	Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra	F♯ Minor	1	11A	105 BPM
Turangalîla Symphonie: Finale	Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod	D♭ Major	8	3B	113 BPM
Kinderszenen, Op.15: 10. Fast zu ernst	Robert Schumann, Martha Argerich	A♭ Minor	0	1A	67 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	141 BPM
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version	Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra	F♯ Minor	0	11A	130 BPM
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace	Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle	C Major	2	8B	79 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): I. Allegro moderato	Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra	F♯ Minor	1	11A	99 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	A♭ Major	0	4B	93 BPM
Auschwitz-Birkenau	John Williams, Itzhak Perlman, Boston Symphony Orchestra	F Major	2	7B	172 BPM

ISRC: DEF058603495
Label: L-M Records/RCA Records

Section: 0.7169663906097412

End: 0.7237179279327393