"Polifemo: Alto giove (Air d'Acio) - Instrumental Version" by Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin was released on November 1, 1994. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 11 in Farinelli - Il Castrato (Original Motion Picture Soundtrack) [From Gérard Corbiau's Film Farinelli, il castrato] by Christophe Rousset. Based on our statistics, Polifemo: Alto giove (Air d'Acio) - Instrumental Version's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polifemo: Alto giove (Air d'Acio) - Instrumental Version by Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
Concerto in E Minor: III. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 0 | 2A | 132 BPM | ||
Pavane Op. 50 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F♯ Minor | 0 | 11A | 97 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
Dichterliebe, Op.48: 10. Hör' ich das Liedchen klingen | Robert Schumann, Fritz Wunderlich, Hubert Giesen | G Minor | 0 | 6A | 76 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby | B Minor | 0 | 10A | 73 BPM | ||
Armida, Atto Secondo Scena 1: Tremo, bell'idol moi (Armida) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten | B♭ Major | 3 | 6B | 99 BPM | ||
Armida, Atto primo Scena 3: Finta larva, d'Abisso frall' ombra (Ubaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches | A Major | 4 | 11B | 94 BPM |
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