"Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky)" by Charles Gounod, Pavel Gililov, Mischa Maisky was released on January 1, 1990. Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Mischa Maisky, Pavel Gililov's "Mischa Maisky - Meditation" album is number 1 out of 18. Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) by Charles Gounod, Pavel Gililov, Mischa Maisky to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Faust, CG 4: Salut! Demeure chaste et pure | Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 172 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM |
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